![summer evening in the south bokeh video summer evening in the south bokeh video](https://jjie.org/wp-content/uploads/2019/12/1.jpg)
These two films are actually the same film, but the CineStill version has the RemJet layer removed, which means that it is more prone to halation and can be processed in C-41 chemistry.
![summer evening in the south bokeh video summer evening in the south bokeh video](https://cdn.xxl.thumbs.canstockphoto.com/abstract-bokeh-lights-on-black-footage_csp60094921.jpg)
I’ve been trying to achieve either an accurate CineStill 800T or Kodak Vision3 500T look straight-out-of-camera. My CineTeal recipe is actually one of the failed attempts. This new version is something that I’ve been working on for months and months. I’ve been asked a few times if that recipe can be improved using the new features that weren’t around when I created it. That recipe was created for X-Trans III cameras, but newer models have more JPEG options. It’s received a lot of positive feedback and I remain quite proud of it. I created my original CineStill 800T film simulation recipe about two-and-a-half years ago. Suburban Night – Farmington, UT – Fujifilm X100V White Balance: Auto White Priority (X100V + X-Pro3: Auto), +4 Red & -7 BlueĮxposure Compensation: +1/3 to +2/3 (typically)Įxample photographs, all camera-made JPEGs using this “Eterna v2” film simulation recipe on my Fujifilm X-E4: It won’t be identical, but it will be very similar-I tested it out on my X-T30 and it works.
#SUMMER EVENING IN THE SOUTH BOKEH VIDEO PLUS#
For the X-T3 and X-T30, in addition to using Auto white balance, you’ll have to disregard Color Chrome Effect Blue and Clarity, and consider setting Highlight to +2 and Shadow to +1 plus Sharpness to -2 to compensate, as well as disregard Grain size (simply use Strong). I think it looks pretty good, and I hope that you do, too.Įl Capitan – Yosemite NP, CA – Fujifilm X-E4 – “Eterna v2”īecause this film simulation recipe requires the new Auto White Priority white balance, it is only compatible with the X-T4, X-S10 and X-E4 however, for outdoor natural light photography, using Auto white balance will produce identical results, which means that you can use this Eterna v2 recipe with the X100V and X-Pro3! For indoor artificial light photography, using Auto white balance will produce overly warm images, so Auto White Priority works better, but right now only the three newest Fujifilm X cameras have that option. I wanted a warm vintage film look-something that could possibly be confused as being actual analog-without being based on any specific film. I wanted to make something similar, but not identical, using the additional JPEG options that Fujifilm has added to their newer X-Trans IV cameras. The first recipe that I created that uses the Eterna film simulation is simply called Eterna, and I really like how that one turned out. In my opinion, the Eterna film simulation is good for achieving an analog color negative film aesthetic. The film simulation of the same name doesn’t exactly match any specific Eterna film, yet it has a great general Eterna cinematic feel. Actually, there have been a number of different film stocks that Fujifilm has given the name Eterna to. I think the Eterna film simulation is a little underrated, as it’s a great base for crafting recipes, and I was eager to create a new look with it-so I did! Std, but you cannot completely match the lovely subtle tonality of it.
#SUMMER EVENING IN THE SOUTH BOKEH VIDEO PRO#
Yes, you can get pretty close to Eterna using PRO Neg. There’s a special quality to it that’s different than the other film simulations, with its low contrast and muted colors. One of my favorite film simulations is Eterna. Rural Thistle – Farmington, UT – Fujifilm X-E4 – “Eterna v2” For “newer” X-Trans IV cameras, like the X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II, you’ll have to decide what Grain Size to select-either Small or Large-but otherwise this recipe is compatible with your camera.īelow are all camera-made JPEGs captured using this Eterna v3 Film Simulation recipe on my Fujifilm X-T30 camera: This recipe isn’t directly compatible with the Fujifilm X-H1 because it uses Color Chrome Effect however, if you want to use it on the X-H1, simply ignore CCE and try it anyway-it will look slightly different, but you might like it anyway. While I think this recipe does well enough in many circumstances, it seems to be best suited for sunny days, including “golden hour” photography.
![summer evening in the south bokeh video summer evening in the south bokeh video](https://i.vimeocdn.com/video/866682569-17625c203442e8ace6bd40cc03eb8716fc9f691a2b4084a5ed6ad1ea22a2d352-d_640x360.jpg)
Yellow Path – Fruit Heights, UT – Fujifilm X-T30 – “Eterna v3”